The Art Garden 🌱


  • Life Drawing

    A collection of gestures from the first time I’ve done life drawing in about… 7 years? They were fast poses, mostly one or two minutes, some 5 minutes. It was challenging – but fun!

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  • July 2025 Hobonichi

    And here is a belated compilation of my July Hobonichi pages! Better than June, as far as quantity (and quality? Who’s to say.)

    Inspiration includes: doing indoor bouldering for the first time; camping and the subsequent wildlife encounters, plus our dog entertainers.


  • June 2025 Hobonichi

    Here’s a very belated post with my June hobonichi pages! June was a busy month, lots of work deadlines, and not many pages drawn – a little is still better than nothing!

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  • Summoning Morwen

    “You call me here, to the heart of winter…
    does my name only exist to be mocked?”

    An illustration drawn in in blue ballpoint pen, then painted on top with inks, watercolours, and gouache. The illustration shows a small woman standing in a large empty room which overlooks snowy mountains. In the centre of the room, a snowflake is carved into the floor, and above it is billowing smoke, from which a face emerges. The face appears to be make of cracked volcanic rock, with magma visible in the cracks. The face looks down at the woman, about to speak.

    It’s been a busy summer! This illustration is from June: another moment from our D&D campaign. This time of my character, Orla, summoning her warlock patron Morwen (who is also her hag – Orla is a hexblood) for a chat. I tried a new process on this one, and it got messy, but we persevered! The process was something like:

    1. Get the drawing down
    2. Ballpoint pen under drawing
    3. Some acrylic based ink for tones
    4. Wet washy vibrant inks for an underpainting
    5. Watercolour then gouache to refine

    Overall, I like the texture from the ballpoint pen, though it was time consuming to draw!

    Higher-res details plus some process pics below:


  • Willow’s Close Call

    I’ve been itching to push myself to paint something more illustrative, something I used to do a lot of. So, of course I turned to our Dungeons and Dragon’s campaign for inspiration. This is my friend’s character Willow, who narrowly avoided death-by-dragon-breath in a recent session.

    There were some big trust-the-process moments here – the base layer for her face was a colourful mess of wet watercolours and I wasn’t sure it would all come together! It was fun to create a colourful face, even if the colours are from blood and bruises on-top of an already sallow complexion. See below for some of the messy in-progress moments.

    An illustration created in watercolours, gouache, and pencil crayon. It shows a close-up of a bloodied woman’s face, as she fearfully looks to the left. Behind her is a damaged wall with a large hole, and through it a landscape of snowy mountains can be seen. A dragon is flying in the open sky.  Text on the image says “Willow’s close call”